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Katherine Kuharic was born in 1962 in South Bend, IN. She completed her BFA in Painting and Drawing at Carnegie Mellon University in 1984, and then moved to New York City where she studied with Louise Bourgeois and Robert Storr at the School of Visual Arts.

Katherine’s work has been exhibited in numerous group shows in the US and abroad including Paris, Rome, Tokyo, Stockholm, London, and Amsterdam. She has had fourteen solo exhibitions, including seven at P.P.O.W. Gallery in New York, which represents her work. Most recently, her work has been exhibited in several museum shows: “Homestyle: A Survey of Works on Paper” at the South Bend Regional Museum in South Bend, IN, “Low Road” at the Delaware Center for Contemporary Art Museum in Wilmington, DE, “ The World Brought Low,” a project at the Contemporary Art Museum in St. Louis, MO and “Super Bowl Sunday” at the St. Louis Art Museum in St. Louis, MO.

Katherine Kuharic’s work has been reviewed in Tema Celeste magazine, the Village Voice, the New York Times, the St. Louis Post Dispatch and Time Out magazine. Articles on her work have appeared in Out magazine, Parkett magazine, and Arts magazine. Her work was a featured project for Bomb magazine. Her work has appeared on the cover of Jane DeLynn’s novel, Leash. Her book One Leaf Fell (illustrated by her alter ego, Minerva McIntyre) was published by Stewart, Tabori, and Chang.

Katherine Kuharic has received grants from Vogelstein Foundation, the Penny McCall Foundation, Art Matters and the New York Foundation for the Arts. She was named the Milton and Sally Avery Fellow for 2003 and 2004 at the MacDowell Colony, Peterborough, NH, and a Rockefeller Fellow at the Rockefeller Foundation Study and Conference Center in Bellagio, Lake Como, Italy.

Professor Kuharic has recently been named the Kevin Kennedy Associate Professor of Art at Hamilton College, Clinton, NY. This summer, she served as critic and Painter-in Residence at the Yale University, Yale Norfolk program in Norfolk, CT. Before coming to Hamilton, she was Associate Professor and Coordinator of the painting program at Washington University in St. Louis, MO. Katherine has held positions at the School of Visual Arts, the New School, Parsons and the Yale University School of Art. She has served on a number of panels and has lectured extensively at universities and museums: the Brooklyn Museum of Arts, the St. Louis Museum of Art, Yale University, Columbia University, NYU, the Core program at the Glassell School of Arts, the Hartford School of Arts, Otis and the University of Notre Dame.

The Kevin Kennedy Professorship was recently endowed at Hamilton College. Katharine Kuharic was appointed July 1st to serve as the first Kevin Kennedy Professor.

 


EDUCATION

1995 School of Visual Arts, New York, NY
1984 1984 Carnegie Mellon University, Pittsburgh, PA


SOLO EXHIBITIONS

2006

The Low Road, Delaware Center for The Contemporary Arts, Wilmington, DE

2005

The World Brought Low, St Louis Contemporary Art Museum, St Louis, MO

2004

Throb P·P·O·W, New York, NY

2000

P·P·O·W, New York, NY

1997 Show Quality Bitches P·P·O·W, New York, NY
1994 P·P·O·W, New York, NY
1993 Amy Lipton Gallery, New York, NY
1991 Berland Hall Gallery, New York, NY
1990

Bess Cutler Gallery, New York, NY

1989 Elizabeth McDonald Gallery, New York, NY
1988 Ernst Alexander Gallery, Washington, DC


GROUP EXHIBITIONS

2007 Homestyle: A Survey of Works on Paper South Bend Regional Museum, South Bend, IN,
2006 American Eden, Jenkins Johnson Gallery, New York, NY
  Outland, Solway Jones Gallery, Los Angeles, CA
  100% Centennial, Carnegie Mellon University, Regina-Gouger Miller Gallery, Pittsburgh, PA
2005 David Bruno Gallery, St Louis, MO
2004

Credit Suisse, First Boston, New York, NY

 

21, P·P·O·W, New York, NY

 

Democratic Victory 2004, Benefit auction, Ronald Feldman Fine Arts, New York, NY

  Benefit Auction, Art in General New York, NY
  Women Only, Eliot Smith Contemporary, St. Louis, MO
  Painting Since 1900, The Sheldon, St Louis, MO
2003

Schmidt’s Picks, Philip Slein Gallery, St. Louis, MO

  Philip Slein Gallery, St. Louis, MO
  Take Home a Nude, Benefit Auction, New York Academy, New York, NY
2002 SVA Commermorates 9/11, Art and Observance, School of Visual Arts Museum, NY
  Social Landscape, P·P·O·W, New York, NY
  Benefit Silent Auction and Gala, White Columns, New York, NY
  Bitch School, Longwood Arts Project, P.S.39, Bronx, NY
2001 I Love NY Benefit, P·P·O·W, New York, NY
  Instructors Show, Cooper Union, New York, NY
2000 Wine, Women & Wheels, White Columns, New York, NY
  nude + narrative, P·P·O·W, New York, NY
  The New Museum of Contemporary Art Benefit Show, New York, NY
1998 Wishful Thinking, James Graham & Sons, New York, NY
 

White Columns Benefit Auction, New York, NY

  Take Home a Nude Benefit Auction, New York Academy, New York, NY
  Elbowroom, Tredje Sparet, Stockholm, Sweden
  Peep Show, Luise Ross Gallery, New York, NY
  some WOMEN/PRETTY girls, Florida Atlantic University, Boca Raton, FL
  Drawings, James Graham and Sons, New York, NY.
1996 Annual Summer Watercolor Exhibition, New York, NY
  Screen Memories, K & E Gallery, New York, NY
  Anima Munda, James Graham & Sons, New York, NY
  White Columns Benefit Exhibition, White Columns, New York, NY
1995 Bodies Terrestrial, curated by Christopher Sweet, Zoller Gallery, The Pennsylvania State University, University Park, PA
  On the Brink 1900-2000: The Turning of Two Centuries, Galerie St. Etienne, New York, NY
1994 The Obscure Object of Desire, exhibition and panel discussion curated and moderated by Dan Cameron, organized by Marilla Palmer, Four Walls, Brooklyn, NY
  Page 5, 450 Broadway, New York, NY
  White Columns Benefit Exhibition, White Columns, New York, NY
  Fallen Idylls: American Figurative Painting, Art Miami ‘94, Miami, FL. Travelling to Martin County Center for the Arts, Stuart, FL
1993 Cadavre Exquis, The Drawing Center, New York, NY
  Littlejohn-Sternau Gallery, New York, NY
  Tom Cugliani Gallery, New York, NY
  The New Museum of Contemporary Art Benefit Show, New York, NY
  The Anti-Masculine, Kim Light Gallery, Los Angeles, CA
1992 Fall, Amy Lipton Gallery, New York, NY
  Shapeshifters, Amy Lipton Gallery, New York, NY
  Nature Fabrilis, Steibel Modern Gallery, New York, NY
  White Columns Benefit Show, New York, NY
1991-92 FIAR Inc. The Fiar International Prize, Milan, Italy; Rome, Italy; Paris, France; London, England; New York, NY; Los Angeles, CA (catalogue)
1991 New Generations, New York, Carnegie Mellon University, Pittsburgh, PA (catalogue)
  Drawing Time, Snug Harbor Cultural Center, Staten Island, NY (catalogue)
  Humor, Satire and Irony: Definitions and Discoveries, Krasdale Food Corp., Lehman College Art Gallery, Bronx, NY
  Menagerie, General Electric, curated by the Museum of Modern Art, New York, NY
  Dumb Animal, White Columns, NY
  Althea Viafora, New York, NY
  White Columns Benefit Show, New York, NY
1989 Bess Cutler Gallery, New York, NY
  Small and Stellar, Ruth Siegel Gallery, New York, NY
  Surrealismo, Mendelson Gallery, Pittsburgh, PA
  Vulgar Realism, Hallwalls Gallery, Buffalo, NY
  Soho Center for Visual Artists, New York, NY
1988 Ten Painters, White Columns, New York, NY
1986 Retroactive, Hallwalls Gallery, Buffalo, NY (catalogue)
  Gallery Show, Exit Art, New York, NY
1984 Wet Paint, Forbes Gallery, Pittsburgh, PA
  Mattress Factory, Pittsburg, PA
1983 Prospective Artists, Pittsburgh Plan for Art, Pittsburgh, PA
  25 Under 25, Southern Alleghanies Museum of Art, Johnstown, PA


GRANTS AND AWARDS

2005 Rockefeller Fellow, Rockefeller Foundation, Study and Conference Center, Bellagio, Lake Como Italy
  Project Space Grant, Contemporary Museum, St. Louis, MO
2004 Kenneth and Nancy Kranzberg Foundation, St. Louis, MO
  Milton and Sally Avery Fellow, MacDowell Colony, Milton and Sally Avery Arts Foundation
2003

Milton and Sally Avery Fellow, MacDowell Colony, Milton and Sally Avery Arts Foundation

2002

College Art Association, Fellowship grant

1999

Penny McCall Foundation

1990

Art Matters, Incorporated

1988 Ludwig Vogelstein Foundation
1983 Ellis Award, Carnegie Mellon University

RESIDENCIES

2005 Rockefeller Foundation, Study and Conference Center, Bellagio, Lake Como Italy
2003 MacDowell Colony, Artist Residency, Peterborough, NH


PUBLISHED WORKS AND ILLUSTRATIONS

2005 UCLA Gendered Transnationalism Conference (posters, billboards and business cards)
2005 Jane DeLynn. Cover, Leash. Semiotexte, MIT PRESS.
2002 Book illustrated by Katharine Kuharic. One Leaf Fell, Stewart Tabori and Chang.


UNDERGRADUATE AND GRADUATE TEACHING EXPERIENCE

2007- Present The Kevin Kennedy Professorship was recently endowed at Hamilton College. Katharine Kuharic was appointed July 1st to serve as the first Kevin Kennedy Professor.
2004 - 2007 Coordinator, Painting Department, Professor of Painting, Washington University in St. Louis, MO
2004 - 2005 Visiting Assistant Professor of Painting, Yale University School of Art, New Haven, CT
2004 Assistant Professor of Painting, Washington University in St. Louis, MO
2004 Lecturer in Painting, Washington University in St. Louis, MO
2002 - 2002 Instructor, School of Visual Arts, New York, NY
1993 - 1999 Graduate Thesis Advisor, School of Visual Arts, New York, NY
1998 - 2002 Adjunct Professor, The New School, New York, NY
1995 - 1997 Adjunct Professor, Parsons School of Design, New York, NY


VISITING ARTISTS & LECTURER

Rockefeller Foundation Study and Conference Center, Bellagio, Lake Como, Italy
Southern Illinois University, Carbondale, IL
Yale University, New Haven, CT
University of Southern Illinois, Carbondale, IL
Saint Louis Art Museum, Saint Louis, MO
Columbia University, New York, NY
Glassel School of Art, Houston, TX
Idaho State University, Pocatello, ID
Hartford School of Art, University of Hartford, West Hartford, CT
Glassel School of Art, Houston, TX
New York University, New York, NY
New York Academy of Art, New York, NY
Otis School of Art, Los Angeles, CA
School of Visual Arts, New York, NY
Brooklyn Museum of Art, Brooklyn, NY
University of Missouri in St. Louis, St. Louis, MO
Contemporary Museum, St. Louis, MO


PANELIST

BRIO (Bronx Rewards Its Own) Council on the Arts Award, Bronx, NY
Four Walls, Brooklyn, NY
Snug Harbor, Staten Island, NY


SELECTED BIBLIOGRAPHY

2005 Bonetti, David, review of Bruno David exhibition, St. Louis Post-Dispatch, Nov 8th, 2005
  Dischinger, Mark Superfantastic Four, review of Contemporary Art Museum Exhibition, Riverfront Times, March 16-22, pg. 29
  On the Road: Art Museums, Kansas City Star, May 26, 2005
  SH Magazine, June 2005
  Bonetti, David, review of The World Brought Low, St. Louis Art Museum, MO
  Cox, Joshua, A Look At New Art, Playback Magazine, Philip Slein Gallery, St Louis, MO
  Clark, Robin, Museum Magazine, April 3. St. Louis Art Museum, MO
  Bonetti, David Lecture at the St. Louis Art Museum, St. Louis Post-Dispatch
2004 Levin, Kim, review of THROB, The Village Voice, June 9-15, pg. 85.
  THROB, full color catalogue, contains essays by David Humphrey and Keith Recker, and an excerpt from the novel Leash (Semiotext/MIT Press 2002) by Jane DeLynn, P·P·O·W.
  Bonetti, David, review of Women Only at Eliot Smith Contemporary. St. Louis Post- Dispatch, May 9.
2003 Bonetti, David. Slein Gallery Show is Heavy with Allegorical Paintings. St. Louis Post-Dispatch, Nov. 2. pg. C8 (reproduction)
  Bonetti, David. Schmidt’s Picks: A New Look at Contemporary Art in St. Louis Since 1990. St. Louis Post-Dispatch, Dec 7, pg B10
  Zapf, Rudy. Kuharic’s Super-Clear Tilt. Playback. December. pg 23, 29 (reproductions)
2001 Artsy Magazine, review with images reproduced
2000 Village Voice, Kim Levin, review Wine, Women and Wheels
1998 Out, February 1998, pg.48, (reproduction).
  Halle, Howard, Time Out, July 23, Issue 147.
  Cotter, Holland, “Peep Show,” review, New York Times, July 10.
  Faulds, Rod, some WOMEN/PRETTY girls, brochure, The Schmidt Center Gallery, Florida Atlantic University.
  Arning, Bill; “Sexuality in Contested Space,” essay in brochure for Elbowroom, Tredje Sparet, Stockholm, Sweden.
  Van der Heeg, Erik, “Elbowroom,” essay in brochure for Elbowroom, Tredje Sparet, Stockholm, Sweden.
  Elbowroom, review, Afton Bladet, July 18, Stockholm, Sweden.
  Elbowroom, review, QX, August, Stockholm, Sweden
  Hellberg, Susanna, “Stockholms Tip Set,” Dag DN, Stockholm, Sweden
1997 Arning, Bill, Review, Time Out, May 15 - 22, pg. 46 (reproduction).
1995 Goldberg, Vicki, “1890’s or 1900’s, the Visions Are of an Apocalypse Soon,” The New York Times, May 14, Section 2
1994 Sweet, Christopher, Fallen Idylls: American Figurative Painting,"brochure with color reproduction, published by Art Miami 1994.
1992 Cameron, Dan. FIAR International Prize 1991-93, catalogue essay.
  Cotter, Holland. “Nature Fabrilis,” The New York Times, July 3, 1992.
  Bomb, Summer 1992. (illustrated)
  Faust, Gretchen. Review, Arts Magazine, April, 1992.
  Levin, Kim and Elaine King. New Generations, New York, catalogue essay, Carnegie Mellon, Pittsburgh, PA.
  Georgia, Olivia. Catalogue, Drawing Time, Snug Harbor Cultural Center, Staten Island, NY.
1988 Gilbard, Florence. “Kuharic’s Theft,” Museum Arts Magazine, December.
  Sax, George. “Bemused Alienations,” The Buffalo News, October 3, 1988.
1986 Howe, Catherine. Retroactive, catalogue essay, Hallwalls Gallery, Buffalo, NY.


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