Katherine
Kuharic was born in 1962 in South Bend, IN. She completed her BFA in
Painting and Drawing at Carnegie Mellon University in 1984, and then
moved to New York City where she studied with Louise Bourgeois and Robert
Storr at the School of Visual Arts.
Katherine’s work has been exhibited in numerous group
shows in the US and abroad including Paris, Rome, Tokyo, Stockholm,
London, and
Amsterdam. She has had fourteen solo exhibitions, including
seven at P.P.O.W. Gallery in New York, which represents her
work. Most recently,
her work
has been exhibited in several museum shows: “Homestyle: A Survey
of Works on Paper” at the South Bend Regional Museum in South Bend,
IN, “Low Road” at the Delaware Center for Contemporary Art
Museum in Wilmington, DE, “ The World Brought Low,” a project
at the Contemporary Art Museum in St. Louis, MO and “Super Bowl
Sunday” at the St. Louis Art Museum in St. Louis, MO.
Katherine Kuharic’s work has been reviewed in Tema Celeste magazine,
the Village Voice, the New York Times, the St. Louis Post Dispatch and
Time Out magazine. Articles on her work have appeared in Out magazine,
Parkett magazine, and Arts magazine. Her work was a featured project for
Bomb magazine. Her work has appeared on the cover of Jane DeLynn’s
novel, Leash. Her book One Leaf Fell (illustrated by her alter
ego, Minerva McIntyre) was published by Stewart, Tabori, and
Chang.
Katherine Kuharic has received grants from Vogelstein Foundation,
the Penny McCall Foundation, Art Matters and the New York Foundation
for the Arts. She was named the Milton and Sally Avery Fellow
for 2003 and
2004 at the MacDowell Colony, Peterborough, NH, and a Rockefeller
Fellow at the Rockefeller Foundation Study and Conference Center
in Bellagio,
Lake Como, Italy.
Professor Kuharic has recently been named the Kevin Kennedy
Associate Professor of Art at Hamilton College, Clinton,
NY. This summer,
she served as critic and Painter-in Residence at the
Yale University, Yale Norfolk
program in Norfolk, CT. Before coming to Hamilton, she
was Associate Professor and Coordinator of the painting
program at Washington
University in St.
Louis, MO. Katherine has held positions at the School
of Visual Arts, the New School, Parsons and the Yale
University School
of Art. She has
served on a number of panels and has lectured extensively
at universities and museums: the Brooklyn Museum of Arts,
the St. Louis
Museum
of Art, Yale University, Columbia University, NYU, the
Core program at the Glassell
School of Arts, the Hartford School of Arts, Otis and
the University of Notre Dame.
The Kevin
Kennedy Professorship was recently endowed at Hamilton College.
Katharine Kuharic was appointed July 1st to serve
as the first Kevin Kennedy
Professor.
|
EDUCATION
| 1995 |
School of Visual Arts,
New York, NY |
| 1984 |
1984 Carnegie Mellon University,
Pittsburgh, PA |
SOLO EXHIBITIONS
| 2006 |
The
Low Road, Delaware Center
for The Contemporary Arts, Wilmington, DE
|
| 2005 |
The
World Brought Low, St Louis Contemporary Art
Museum, St Louis, MO
|
| 2004 |
Throb P·P·O·W,
New York, NY
|
| 2000 |
P·P·O·W,
New York, NY
|
| 1997 |
Show
Quality Bitches P·P·O·W,
New York, NY |
| 1994 |
P·P·O·W,
New York, NY |
| 1993 |
Amy Lipton Gallery,
New York, NY |
| 1991 |
Berland Hall Gallery,
New York, NY |
| 1990 |
Bess Cutler Gallery,
New York, NY
|
| 1989 |
Elizabeth McDonald
Gallery, New York, NY |
| 1988 |
Ernst Alexander
Gallery, Washington, DC |
GROUP EXHIBITIONS
| 2007 |
Homestyle:
A Survey of Works on Paper South Bend Regional
Museum, South Bend, IN, |
| 2006 |
American
Eden, Jenkins Johnson Gallery, New York, NY |
| |
Outland,
Solway Jones Gallery, Los Angeles, CA |
| |
100%
Centennial,
Carnegie Mellon University, Regina-Gouger Miller Gallery,
Pittsburgh, PA |
| 2005 |
David Bruno
Gallery, St Louis, MO |
| 2004 |
Credit Suisse,
First Boston, New York, NY
|
| |
21, P·P·O·W,
New York, NY
|
| |
Democratic
Victory 2004, Benefit auction, Ronald Feldman Fine Arts, New York, NY
|
| |
Benefit Auction,
Art in General New York, NY |
| |
Women
Only, Eliot
Smith Contemporary, St. Louis, MO |
| |
Painting
Since 1900, The Sheldon, St Louis, MO |
| 2003 |
Schmidt’s
Picks, Philip Slein Gallery,
St. Louis, MO |
| |
Philip
Slein Gallery, St. Louis, MO |
| |
Take
Home a Nude, Benefit Auction, New York Academy, New
York, NY |
| 2002 |
SVA
Commermorates 9/11, Art and Observance, School of Visual Arts Museum,
NY |
| |
Social
Landscape, P·P·O·W, New York, NY |
| |
Benefit
Silent Auction and Gala, White Columns, New York,
NY |
| |
Bitch
School, Longwood Arts Project, P.S.39, Bronx, NY |
| 2001 |
I
Love NY Benefit, P·P·O·W, New York,
NY |
| |
Instructors
Show, Cooper Union, New York, NY |
| 2000 |
Wine,
Women & Wheels, White Columns,
New York, NY |
| |
nude
+ narrative, P·P·O·W, New York,
NY |
| |
The
New Museum of Contemporary Art Benefit Show, New York,
NY |
| 1998 |
Wishful
Thinking, James Graham & Sons, New York, NY |
| |
White
Columns Benefit Auction, New
York, NY
|
| |
Take
Home a Nude Benefit Auction, New
York Academy, New York, NY |
| |
Elbowroom, Tredje
Sparet, Stockholm, Sweden |
| |
Peep
Show, Luise Ross Gallery, New York,
NY |
| |
some
WOMEN/PRETTY girls, Florida Atlantic
University, Boca Raton, FL |
| |
Drawings, James
Graham and Sons, New York, NY. |
| 1996 |
Annual
Summer Watercolor Exhibition, New York, NY |
| |
Screen
Memories, K & E Gallery, New York, NY |
| |
Anima
Munda, James Graham & Sons, New York, NY |
| |
White
Columns Benefit Exhibition, White
Columns, New York, NY |
| 1995 |
Bodies
Terrestrial, curated by Christopher
Sweet, Zoller Gallery, The Pennsylvania State University,
University Park,
PA |
| |
On
the Brink 1900-2000: The Turning of Two Centuries, Galerie
St. Etienne, New York, NY |
| 1994 |
The
Obscure Object of Desire, exhibition
and panel discussion curated and moderated by Dan Cameron,
organized by Marilla
Palmer, Four Walls, Brooklyn, NY |
| |
Page
5, 450 Broadway, New York, NY |
| |
White
Columns Benefit Exhibition, White
Columns, New York, NY |
| |
Fallen
Idylls: American Figurative Painting,
Art Miami ‘94,
Miami, FL. Travelling to Martin County Center for the
Arts, Stuart, FL |
| 1993 |
Cadavre
Exquis, The Drawing Center, New York,
NY |
| |
Littlejohn-Sternau
Gallery, New York, NY |
| |
Tom
Cugliani Gallery, New York, NY |
| |
The
New Museum of Contemporary Art Benefit Show, New
York, NY |
| |
The
Anti-Masculine, Kim Light Gallery, Los
Angeles, CA |
| 1992 |
Fall,
Amy Lipton Gallery, New York, NY |
| |
Shapeshifters, Amy
Lipton Gallery, New York, NY |
| |
Nature
Fabrilis, Steibel Modern Gallery, New
York, NY |
| |
White
Columns Benefit Show, New York, NY |
| 1991-92 |
FIAR
Inc. The Fiar International Prize, Milan,
Italy; Rome, Italy; Paris, France; London, England;
New York, NY;
Los Angeles, CA (catalogue) |
| 1991 |
New
Generations, New York, Carnegie Mellon
University, Pittsburgh, PA (catalogue) |
| |
Drawing
Time, Snug Harbor Cultural Center,
Staten Island, NY (catalogue) |
| |
Humor,
Satire and Irony: Definitions and Discoveries, Krasdale
Food Corp., Lehman
College Art Gallery, Bronx, NY |
| |
Menagerie, General
Electric, curated by the Museum of Modern Art, New York,
NY |
| |
Dumb
Animal, White Columns, NY |
| |
Althea
Viafora, New York, NY |
| |
White
Columns Benefit Show, New York, NY |
| 1989 |
Bess
Cutler Gallery, New York, NY |
| |
Small
and Stellar, Ruth Siegel Gallery, New
York, NY |
| |
Surrealismo, Mendelson
Gallery, Pittsburgh, PA |
| |
Vulgar
Realism, Hallwalls Gallery, Buffalo,
NY |
| |
Soho
Center for Visual Artists, New York,
NY |
| 1988 |
Ten
Painters, White Columns, New York, NY |
| 1986 |
Retroactive, Hallwalls
Gallery, Buffalo, NY (catalogue) |
| |
Gallery
Show, Exit Art, New York, NY |
| 1984 |
Wet
Paint, Forbes Gallery, Pittsburgh, PA |
| |
Mattress Factory,
Pittsburg, PA |
| 1983 |
Prospective
Artists, Pittsburgh Plan for Art, Pittsburgh,
PA |
| |
25
Under 25, Southern Alleghanies Museum
of Art, Johnstown, PA |
GRANTS
AND AWARDS
| 2005 |
Rockefeller Fellow,
Rockefeller Foundation, Study and Conference Center, Bellagio,
Lake Como Italy |
| |
Project Space
Grant, Contemporary Museum, St.
Louis, MO |
| 2004 |
Kenneth and Nancy
Kranzberg Foundation, St. Louis, MO |
| |
Milton
and Sally Avery Fellow, MacDowell Colony, Milton and
Sally Avery Arts Foundation |
| 2003 |
Milton
and Sally Avery Fellow, MacDowell Colony, Milton and
Sally Avery Arts Foundation
|
| 2002 |
College
Art Association, Fellowship grant
|
| 1999 |
Penny
McCall Foundation
|
| 1990 |
Art
Matters, Incorporated
|
| 1988 |
Ludwig
Vogelstein Foundation |
| 1983 |
Ellis
Award, Carnegie Mellon University |
RESIDENCIES
| 2005 |
Rockefeller
Foundation, Study and Conference Center, Bellagio, Lake
Como Italy |
| 2003 |
MacDowell
Colony, Artist Residency, Peterborough, NH |
PUBLISHED WORKS AND ILLUSTRATIONS
| 2005 |
UCLA Gendered
Transnationalism Conference (posters, billboards and business
cards) |
| 2005 |
Jane
DeLynn. Cover, Leash. Semiotexte,
MIT PRESS. |
| 2002 |
Book
illustrated by Katharine Kuharic. One Leaf Fell, Stewart
Tabori and Chang. |
UNDERGRADUATE AND GRADUATE TEACHING EXPERIENCE
| 2007- Present |
The Kevin Kennedy
Professorship was recently endowed at Hamilton College.
Katharine Kuharic was appointed July 1st to serve as the
first Kevin Kennedy Professor. |
| 2004 - 2007 |
Coordinator,
Painting Department, Professor of Painting,
Washington University in St. Louis, MO |
| 2004 - 2005 |
Visiting
Assistant Professor of Painting, Yale University School
of Art, New Haven, CT |
| 2004 |
Assistant
Professor of Painting, Washington University in St.
Louis, MO |
| 2004 |
Lecturer
in Painting,
Washington University in St. Louis, MO |
| 2002 - 2002 |
Instructor,
School of Visual Arts, New York, NY |
| 1993 - 1999 |
Graduate
Thesis Advisor, School of Visual Arts, New York, NY |
| 1998 - 2002 |
Adjunct
Professor, The New School, New York, NY |
| 1995
- 1997 |
Adjunct
Professor, Parsons School of Design, New York, NY |
VISITING ARTISTS & LECTURER
| Rockefeller
Foundation Study and Conference Center, Bellagio, Lake
Como, Italy |
| Southern
Illinois University, Carbondale, IL |
| Yale
University, New Haven, CT |
| University
of Southern Illinois, Carbondale, IL |
| Saint Louis Art
Museum, Saint Louis, MO |
| Columbia
University, New York, NY |
| Glassel
School of Art, Houston, TX |
| Idaho
State University, Pocatello, ID |
| Hartford
School of Art, University of Hartford, West Hartford,
CT |
| Glassel
School of Art, Houston, TX |
| New
York University, New York, NY |
| New
York Academy of Art, New York, NY |
| Otis
School of Art, Los Angeles, CA |
| School
of Visual Arts, New York, NY |
| Brooklyn
Museum of Art, Brooklyn, NY |
| University
of Missouri in St. Louis, St. Louis, MO |
| Contemporary
Museum, St. Louis, MO |
PANELIST
BRIO (Bronx Rewards Its Own) Council on the Arts Award, Bronx,
NY
Four Walls, Brooklyn, NY
Snug Harbor, Staten Island, NY
SELECTED BIBLIOGRAPHY
| 2005 |
Bonetti, David,
review of Bruno David exhibition, St.
Louis Post-Dispatch,
Nov 8th, 2005 |
| |
Dischinger, Mark Superfantastic Four,
review of Contemporary Art Museum Exhibition, Riverfront
Times,
March 16-22, pg. 29 |
| |
On
the Road: Art Museums, Kansas
City Star, May 26, 2005 |
| |
SH
Magazine,
June 2005 |
| |
Bonetti, David,
review of The World Brought Low, St. Louis Art Museum,
MO |
| |
Cox, Joshua,
A Look At New Art, Playback
Magazine, Philip Slein Gallery,
St Louis, MO |
| |
Clark, Robin, Museum
Magazine, April 3. St. Louis Art Museum, MO |
| |
Bonetti, David
Lecture at the St. Louis Art Museum, St. Louis Post-Dispatch |
| 2004 |
Levin,
Kim, review
of THROB, The
Village Voice,
June 9-15, pg. 85. |
| |
THROB,
full color catalogue, contains essays by David Humphrey
and Keith Recker, and an excerpt from the novel Leash
(Semiotext/MIT Press 2002) by Jane DeLynn, P·P·O·W. |
| |
Bonetti,
David, review of Women Only at
Eliot Smith Contemporary. St. Louis Post- Dispatch,
May 9. |
| 2003 |
Bonetti,
David. Slein Gallery Show is Heavy with Allegorical
Paintings. St. Louis Post-Dispatch,
Nov. 2. pg. C8 (reproduction) |
| |
Bonetti,
David. Schmidt’s
Picks: A New Look at Contemporary Art in St. Louis Since
1990. St.
Louis Post-Dispatch, Dec 7, pg B10 |
| |
Zapf,
Rudy. Kuharic’s
Super-Clear Tilt.
Playback. December. pg 23,
29 (reproductions) |
| 2001 |
Artsy
Magazine, review with images reproduced |
| 2000 |
Village
Voice, Kim Levin, review Wine,
Women and Wheels |
| 1998 |
Out,
February 1998, pg.48, (reproduction). |
| |
Halle,
Howard, Time Out, July 23, Issue
147. |
| |
Cotter,
Holland, “Peep Show,” review,
New York Times, July 10. |
| |
Faulds,
Rod, some WOMEN/PRETTY girls,
brochure, The Schmidt Center Gallery, Florida Atlantic
University. |
| |
Arning,
Bill; “Sexuality
in Contested Space,” essay
in brochure for Elbowroom,
Tredje Sparet, Stockholm, Sweden. |
| |
Van
der Heeg, Erik, “Elbowroom,” essay
in brochure for Elbowroom,
Tredje Sparet, Stockholm, Sweden. |
| |
Elbowroom,
review, Afton Bladet, July 18,
Stockholm, Sweden. |
| |
Elbowroom, review, QX,
August, Stockholm, Sweden |
| |
Hellberg,
Susanna, “Stockholms
Tip Set,” Dag
DN, Stockholm, Sweden |
| 1997 |
Arning,
Bill, Review, Time Out, May 15
- 22, pg. 46 (reproduction). |
| 1995 |
Goldberg,
Vicki, “1890’s or 1900’s,
the Visions Are of an Apocalypse Soon,” The
New York Times, May 14, Section 2 |
| 1994 |
Sweet,
Christopher, Fallen Idylls: American Figurative
Painting,"brochure
with color reproduction, published by Art Miami 1994. |
| 1992 |
Cameron,
Dan. FIAR International Prize 1991-93,
catalogue essay. |
| |
Cotter,
Holland. “Nature
Fabrilis,” The
New York Times, July 3, 1992. |
| |
Bomb,
Summer 1992. (illustrated) |
| |
Faust,
Gretchen. Review, Arts Magazine,
April, 1992. |
| |
Levin,
Kim and Elaine King. New Generations, New York, catalogue
essay, Carnegie Mellon, Pittsburgh, PA. |
| |
Georgia,
Olivia. Catalogue, Drawing Time,
Snug Harbor Cultural Center, Staten Island, NY. |
| 1988 |
Gilbard,
Florence. “Kuharic’s
Theft,” Museum
Arts Magazine, December. |
| |
Sax,
George. “Bemused
Alienations,” The
Buffalo News, October 3,
1988. |
| 1986 |
Howe,
Catherine. Retroactive, catalogue
essay, Hallwalls Gallery, Buffalo, NY. |
|